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ALL, EVERYTHING ELSE Leslie Parke ALL, EVERYTHING ELSE Leslie Parke

WHEN ARTISTS’ VISION BECOMES CINEMA

In my last post, I wrote about artists whose eyesight shaped their work—Monet, Degas, O’Keeffe, Chuck Close, and others. Their paintings bear the trace of cataracts, macular degeneration, blindness, or simply a different way of seeing. But sometimes words and canvases aren’t enough—we want to see these struggles brought to life. Luckily, filmmakers have been fascinated with the same question: what happens when an artist’s vision changes?

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